An artistic reflection: the social media coup d’état #allesdichtmachen (#closeeverything) and the current political landscape
bobbynetwork.substack.com
This is a very opinionated Artist’s Reflection on the social media coup d’état #allesdichtmachen (#closeeverything) and the status quo of the political media-landscape within the digital realm.
In particular I reflect on the excellent Twitter-thread by Dietrich Brüggemann (@dtrickb), covering the orthodox PR think tank-diversion tactics and framing-narratives, he played an integral part in the production of said Gesamtkunstwerk.
Dietrich Brüggemann analyses the digital social media-realm, which is riddled with paid opinion trolls, forum spies, controlled opposition integrity-sabotage tactics/traps & political framing. The psychological warfare is also conducted by the massive mass media manipulation machinery, hustling e-elebs and low/medium/high-tier influencers, who act as stooges of the Merkel regime and of the globally pushed 4th Industrial Revolution elites-gang on social media.
Translation of the first tweet of the thread:Thread on #allesdichtmachen It has hit home. To all those who are now talking about “mockery”: I’m also swearing now. You are mocking the victims. You trample on those who are now suicidal. You spit on all those who have lost their existence.
At the very end of my artistic reflection, you can find a tweet by tweet translation of Dietrich Brüggemann’s excellent analysis of the social media hellfire shitshow-fest that is right now going on in the German-speaking digital realm.
#Allesdichtmachen is an organized satirical art project by originally 53 actors and actresses from the German Film Industry, which in a highly ironic way pokes fun at the insanity of failed lockdown policies and has actually hit like a bomb on social media.
The organized lockdown apparatus didn’t expect this action — it hasn’t been listed on their staged controlled opposition-script, the shills were confused. The campaign hashtag #allesdichtmachen instantly trended #1 on Twitter…
… and that was never intended in this form in their script.
All 53 artist statements in German language without subtitles can be viewed here, archived via Blockchain technology at LBRY / Odysee: https://lbry.tv/@allesdichtmachen:e
The primary hashtag #allesdichtmachen has mysteriousy disappeared from the official Twitter trends-analysis, Twitter has defused the particular hashtag-trend via API manipulation.
Nonetheless, all of this cannot cash in on the resounding slap in the face of the Ageneda-gang: the artists have hit with their own Big Data tech tools/ weapons of choice, social engineering tactics and PR strategies, causing a really serious rift in the global agenda-PsyOp matrix of the Financial & Medical Industrial Complex.
Translation: “I celebrate hard how the mainstream is in despair due to #allesdichtmachen. If you want to cancel these 53 actors, you would have to cancel German film as such. As @JanJosefLiefers said in his post: Feel free to despair — but don’t doubt!”
“If you want to cancel these 53 actors, you would have to cancel German film as such.”
The paid-to-lie staged outcry is gigantic, not only classical damage control is initiated on all levels, moreover, paid scribblers have to spend overtime upon overtime to bring this media incisive event for the mainstream people under control, f.e. by fact-checker stooges Volksverpetzer, who are financally supported by Microsoft (and in direct consequence by Bill & Melinda Gates foundation).
The comment sections of all social media platforms were bombarded in a military-style operation principle.
This paid shill works for publikum.net (paid-to-lie “fact-checkers”)
Translation: “Shame on you. Shame on you a thousand times over, you clown. People are mourning their loved ones, parents, children, partners, siblings — who have suffocated. Alone — under the supervision of exhausted nursing staff and desperate doctors. And your empathy goes to zero. Shame on you!”
The German actors’ initiative is the purest antithesis and mockery of all the global fearpr0n & paid alarmism propaganda campaigns, which are currently conducted by thousands of paid pharma shills and forum spies, their primary Umbrella organisations are major PR think tanks like “Hill + Knowlton” or “Tavistock Institute”.
Consequently all the stops were pulled out: the actors faced death threats, slurs, character assassinations, framing, fact checker garbage clickbait-avalanches, cancel culture at its purest…
As of today, 32 of the 53 actors have remained steadfast and are fully behind the action. The others who “fell over”, had to more or less withdraw their publicly visible support for the action (for understandable reasons, this is a war, World War 3 is fought within the digital realm, a military-styled psychological warfare on your mind, it can be intimidating).
“Schwurbleralarm (translation — Griftler alarm): there is an opposing hypothesis that could put a spoke in the agenda’s narration-wheel, and we must now strike back with the field weapons that have already been placed (Querdenken).”
Sidenote 2: This artistic action has purely nothing with the controlled opposition asset — the Querdenken-franchise — at the hat, here you won’t find Hare-Rama-Hare-Krishna-mantras — please-put-your-masks-on — We-are- love — please-keep-distance — We-are-freedom — Please-buy-our-Mechandise-and-donate-a-maximum-of-20k-a-year-on-Michael-Ballweg’s-private-bank-account — We-are-joy — please-also-cover-mouth-and-nose-above-all-completely — New-Age-One-World-One-Earth-One-Health-One-MiddleEarth.
Far from it, this action could not be further from incensed controlled op assets as “Querdenken”.
This is a ray of hope in the madness: Those actors have artistically investigated the Merkel regime, the 4th Industrial Revoltion-Agenda-plan, the insanity of the useless lockdown policies in the Western hemisphere, but especially that of Germany is dragged through the language art mud, rightly so.
And the artists do not agree.
This is not about incensed PsyOps, such as alleged “23 dead children through masks”-fakenews / controlled op integrity-sabotage & framing tactics, Reichsbürger, esoteric Hippieism and Hitlerism, money tunneling, moneymaking with the product “hope”, forced social media gossips staged by Open Society Foundation & Poynter Institute, smoke & grenades-narratives, PR-hypnosis, diversion tactics and endless paid-to-lie fact checker clickbaits, Big Pharma astroturfing and cancerous secret service e-celebs and MSM assets bullying.
Controlled op asset & e-celeb “Samuel Eckert” being grateful for Corona on record (it is an endless money printing machine for him, he gains donation through staged “Isolation Fund — Psyop”, generally with the product “hope”.
Controlled op asset & e-celeb “Bodo Schiffmann” conducting 101 Controlled Op integrity-sabotage-tactics, claiming “23 children died through masks”, classical fakenews framing, to serve “meat” for the paid-to-lie fact-checker hordes (no english subtitles available atm).
This is meant to be far bigger and profound than any incensed sidequest PR-PsyOp controlled op-skirmish could ever be.
And, of course, these are non-experts opinions, this is an artistic analysis of the status quo. Art was, is, and always will be able to negotiate on an equal footing with the hard sciences, that is an irrevocable fact of humanity. Those who claim otherwise are low-IQ chimpanzees and should be locked up in a zoo.
And if the artistic snapshot and analysis means the breakdown of hell on earth, then so be it.
Those actors know: we have already managed without CCP-lockdown-PsyOps for millennials. Moreover the Chinese Communist Party does not believe in their own propaganda, it simply wants the rest of the world to blindly follow their recommendations.
And the actors know that it’s not China alone who is pulling the strings here behind the scenes, it’s the gang of global financial elites, who use China as a prototype playfield and testing playground.
Much more, these artistic statements are spinal cord shattering for the transition-agenda, the most important balancing force of the western sovereign (art) had delivered here a merciless artistic analysis and reflection.
And they honestly disagree with the totalitarian clown world dystopia of those elites.
And yes, the reflection of art had been a long time coming, it is not easy to unravel this complex web of corruption, the corrupted structures of the international Financial & Medical Industrial Complex, the web of lies of the proposed stakeholder capitalism. Sometimes artists have to act as historians, sometimes as scientific analysts and that takes time: To unravel it artistically in an investigative manner to get a full spectrum-view, to then respond successfully with the corresponding statements of political art — massive thought-work goes into Gesamtkunstwerk art-processes.
In the end art wants to be on the right side of history — no matter what happens in between — until the balance of forces are established again.
These artistic statements are now for eternity, and that is exactly how it was meant to be, and the artists had also conducted long analyses until they arrived at their artistic position.
The statements are meant to last forever, so it doesn’t matter how many of them withdraw their official publicly visible support due to cyberbullying and cancel culture, history will give all of them their rightful place in the profound search for the ultimate truth.
These statements now shine like a sword of Damocles over the agenda timetable and these PR think tanks of the elites-gang have not yet fully mastered all the tools of social engineering of the masses, this dark art form of mass-hypnosis is only conditionally suitable for quick deployment.
Damage control cannot happen fast enough now, before these statements really incite the masses to break free from the hypnotic grip of the Financial & Medical Industrial Complex and to use their instincts again, that gut feeling that for millions of years has always been able to unerringly predict when something in the narrative is not right.
And when agenda tools like Cornelius Roemer — he’s one of the secondary fear porn henchmen in the German-speaking realm (he acts in the style of a Dr. Eric Feigl aka #ZeroDing) calls for list-making of artists, as well as Twitter API scrapes of their social media profiles, these are just simple-minded fascistoid damage control travails that only expose the profound stupidity of this subhuman creature further and give the normie even more:
“Something is wrong here, the gut feeling tells me.”
Translation: “Who among the actors is on Twitter? And who do they all follow? And who are they followed by? If anyone wants to make a list, crowdsourced under here? @pkreissel can analyse something like that well.” / Tweet Archive: https://archive.ph/iAwpI / Twitter-user pkreissel is the chief editor of Microsoft-funded (and also Gates Foundation) fact checker & propaganda-tool Volksverpetzer, translation German to English: “People’s snitch”.
And those actresses & actors have investigated the failures here at every turn so far: they see the fusion of military-like health security institutions, they clearly see those patterns, they have read the Rockefeller document “Scenarios for the Future of Technology and International Development” — also known as “Scenario Operation — Lockstep”, they have finished “connecting the most weighted nodes” now.
They have investigated Big Tech, Megacorporations and the elites-gang that have placed biofascism at the top of their poisonous agenda.
They see the tyranny of the proposed “4th Industrial Revolution” micromanagement-dystopia, the corrupt fusion of science and politics, …
… and those artists do not consent with that. Period.
They know now that the initial flood of shock images from China early last year was a finely tuned social engineering operation by the CCP and their western elites-collaborateurs to trap the planet into a never-ending lockdown death-spiral. As experts of this profession they can immediately recognise and correctly classify such insinuations; they are usually the vehicles of any such spectacle.
And these actresses & actors now also know, after thorough self-research with full-throttled media competence, that there is something wrong with the mass testing-scenarios of a healthy population, that it reeks of deliberate mischief at all corners and ends.
They know now that hard sciences / life sciences have been hijacked by a group of corrupt pseudoscientists, shamans, pharma-bots and mindless NPCs, everything is infested with massive conflicts of interest and extraordinary bad-science.
They see the patterns of the international panic papers-Psyop and the total sell-out of the Merkel Regime to the CCP and the 4th Industrial Revolution-gang, consisting of kinky stakeholder capitalists and full-blown psychopaths.
They see through the total sell-out of Netanyahu, who sold the people of Israel to Big Pharma, the country serves as an human experimentation-sandbox prototype for the world now. They see the peak irony in that.
And the fear of an uncertain future for the current and follow-up generations, especially their own children and grand-children has ultimately led to this joined strong voice of artistic reasoning, the desire to openly discuss the intended fate of the world in artistic public discourse, and they have provided us with an opportunity to do so now.
Now it is up to all sectors of the arts to deal with this downward spiral, the death hypnosis, to position themselves critically towards it and to provide the normie with an analysis of the status quo artistically. We are in an information war, and this can only be won with the means of art. This is not about the right or left of the political spectrum, it is about the preservation of the plurality of life itself, about each and every one of us.
Art converses on an equal footing with the hard sciences; anyone who claims otherwise is a narcissistic low IQ tyrant and should be locked up in a zoo. PR is the antithesis of art. Period.
Thread-translation of Dietrich Brüggemann analysis (@dtrickb)
1/ Thread on #allesdichtmachen It has hit home. To all those who are now talking about “mockery”: I’m also swearing now. You are mocking the victims. You trample on those who are now suicidal. You spit on all those who have lost their existence.
2/ You make fun of the suffering of those in poorer classes and poorer countries who jump over the blade you hold out to them. You are cynical and inhuman. It’s fun to pick on people like that, isn’t it? Shall we stop it anyway? Yes? Good.
3/ Or no, we can continue for a while. You always feel “sick” and you also like to “throw up”. You know what? I am sick too. And it’s because of you. You are part of the worst that mankind has produced: You’re a lynch mob. It’s as simple as that.
4/ So, enough ranting. I could now utter the usual distancing phrases, but before I do I’ll fall asleep from boredom. Nazis are Nazis and self-evident things are self-evident. And what should also be self-evident:
5/ If criticism of Corona policy is “right-wing”, then my left hand is also right-wing. Yes of course I have respect for all doctors and nurses. I also have respect for all those in the country who are screwed up and don’t know what to do. And now someone please explain to me,
6/ Why one necessarily requires the other. And why our whole society has to be in a kind of state of war, in which the whole of civil society has to stand at attention and nothing else matters but the fight against the one, maximum enemy. And who asks whether
7/ this enemy is really so maximum and whether one could perhaps fight him with other, civilian means, he is a denier and an enemy of the people and must be hung on the lamppost. You don’t even realise what reflexes you are indulging in here, but that is part of the problem.
8/ There is plenty to criticise about a media elite that calls for ever tougher lockdown and clears every critic for firing with reference to full intensive care units. And this shitstorm comments on itself anyway.
9/ Have you ever cared about death and dying? Didn’t you care that people died around you every day for avoidable reasons? But all of a sudden this is the only issue for you?
10/ None of these videos are about the pandemic. But they do pull the wool over the eyes of the hollow pathos we have been facing for a year. They criticise the mercilessness with which everything that is now going down the drain is dismissed as secondary.
11/ They question the stories a society tells itself. And if this society (or the 1% who are on Twitter) then reacts so effervescently, then the whole thing was obviously necessary. End.
An artistic reflection: the social media coup d’état #allesdichtmachen (#closeeverything) and the current political landscape
An artistic reflection: the social media coup d’état #allesdichtmachen (#closeeverything) and the current political landscape
An artistic reflection: the social media coup d’état #allesdichtmachen (#closeeverything) and the current political landscape
This is a very opinionated Artist’s Reflection on the social media coup d’état #allesdichtmachen (#closeeverything) and the status quo of the political media-landscape within the digital realm.
In particular I reflect on the excellent Twitter-thread by Dietrich Brüggemann (@dtrickb), covering the orthodox PR think tank-diversion tactics and framing-narratives, he played an integral part in the production of said Gesamtkunstwerk.
Dietrich Brüggemann analyses the digital social media-realm, which is riddled with paid opinion trolls, forum spies, controlled opposition integrity-sabotage tactics/traps & political framing. The psychological warfare is also conducted by the massive mass media manipulation machinery, hustling e-elebs and low/medium/high-tier influencers, who act as stooges of the Merkel regime and of the globally pushed 4th Industrial Revolution elites-gang on social media.
Translation of the first tweet of the thread:Thread on #allesdichtmachen It has hit home. To all those who are now talking about “mockery”: I’m also swearing now. You are mocking the victims. You trample on those who are now suicidal. You spit on all those who have lost their existence.
At the very end of my artistic reflection, you can find a tweet by tweet translation of Dietrich Brüggemann’s excellent analysis of the social media hellfire shitshow-fest that is right now going on in the German-speaking digital realm.
#Allesdichtmachen is an organized satirical art project by originally 53 actors and actresses from the German Film Industry, which in a highly ironic way pokes fun at the insanity of failed lockdown policies and has actually hit like a bomb on social media.
The organized lockdown apparatus didn’t expect this action — it hasn’t been listed on their staged controlled opposition-script, the shills were confused. The campaign hashtag #allesdichtmachen instantly trended #1 on Twitter…
… and that was never intended in this form in their script.
All 53 artist statements in German language without subtitles can be viewed here, archived via Blockchain technology at LBRY / Odysee: https://lbry.tv/@allesdichtmachen:e
English-subbed statements are available here, work in progress, this channel will be constantly updated as soon as more clips have been surfaced including English subtitles: https://lbry.tv/@closeeverything-allesdichtmachen-english-subtitles:c
The primary hashtag #allesdichtmachen has mysteriousy disappeared from the official Twitter trends-analysis, Twitter has defused the particular hashtag-trend via API manipulation.
Nonetheless, all of this cannot cash in on the resounding slap in the face of the Ageneda-gang: the artists have hit with their own Big Data tech tools/ weapons of choice, social engineering tactics and PR strategies, causing a really serious rift in the global agenda-PsyOp matrix of the Financial & Medical Industrial Complex.
Translation: “I celebrate hard how the mainstream is in despair due to #allesdichtmachen. If you want to cancel these 53 actors, you would have to cancel German film as such. As @JanJosefLiefers said in his post: Feel free to despair — but don’t doubt!”
“If you want to cancel these 53 actors, you would have to cancel German film as such.”
The paid-to-lie staged outcry is gigantic, not only classical damage control is initiated on all levels, moreover, paid scribblers have to spend overtime upon overtime to bring this media incisive event for the mainstream people under control, f.e. by fact-checker stooges Volksverpetzer, who are financally supported by Microsoft (and in direct consequence by Bill & Melinda Gates foundation).
The comment sections of all social media platforms were bombarded in a military-style operation principle.
This paid shill works for publikum.net (paid-to-lie “fact-checkers”)
Translation: “Shame on you. Shame on you a thousand times over, you clown.
People are mourning their loved ones, parents, children, partners, siblings — who have suffocated. Alone — under the supervision of exhausted nursing staff and desperate doctors. And your empathy goes to zero. Shame on you!”
The German actors’ initiative is the purest antithesis and mockery of all the global fearpr0n & paid alarmism propaganda campaigns, which are currently conducted by thousands of paid pharma shills and forum spies, their primary Umbrella organisations are major PR think tanks like “Hill + Knowlton” or “Tavistock Institute”.
The WHO references an ecosystem of around 263 major fact-checkers institutions and private companies globally with numerous subsidiary groups and tentacles. This is the definitive war on our minds.
Sidenote 1: Hill + Knowlton, who was co-responsible for the Iraq Gulf Wars I & II, and therefor has blood on their hands for over 1/2 million deaths, is the official PR think tank of the World Health Organisation for all things related to “COVID-19 communications”.
Consequently all the stops were pulled out: the actors faced death threats, slurs, character assassinations, framing, fact checker garbage clickbait-avalanches, cancel culture at its purest…
As of today, 32 of the 53 actors have remained steadfast and are fully behind the action. The others who “fell over”, had to more or less withdraw their publicly visible support for the action (for understandable reasons, this is a war, World War 3 is fought within the digital realm, a military-styled psychological warfare on your mind, it can be intimidating).
“Schwurbleralarm (translation — Griftler alarm): there is an opposing hypothesis that could put a spoke in the agenda’s narration-wheel, and we must now strike back with the field weapons that have already been placed (Querdenken).”
Sidenote 2: This artistic action has purely nothing with the controlled opposition asset — the Querdenken-franchise — at the hat, here you won’t find Hare-Rama-Hare-Krishna-mantras — please-put-your-masks-on — We-are- love — please-keep-distance — We-are-freedom — Please-buy-our-Mechandise-and-donate-a-maximum-of-20k-a-year-on-Michael-Ballweg’s-private-bank-account — We-are-joy — please-also-cover-mouth-and-nose-above-all-completely — New-Age-One-World-One-Earth-One-Health-One-MiddleEarth.
Far from it, this action could not be further from incensed controlled op assets as “Querdenken”.
This is a ray of hope in the madness: Those actors have artistically investigated the Merkel regime, the 4th Industrial Revoltion-Agenda-plan, the insanity of the useless lockdown policies in the Western hemisphere, but especially that of Germany is dragged through the language art mud, rightly so.
And the artists do not agree.
This is not about incensed PsyOps, such as alleged “23 dead children through masks”-fakenews / controlled op integrity-sabotage & framing tactics, Reichsbürger, esoteric Hippieism and Hitlerism, money tunneling, moneymaking with the product “hope”, forced social media gossips staged by Open Society Foundation & Poynter Institute, smoke & grenades-narratives, PR-hypnosis, diversion tactics and endless paid-to-lie fact checker clickbaits, Big Pharma astroturfing and cancerous secret service e-celebs and MSM assets bullying.
Controlled op asset & e-celeb “Samuel Eckert” being grateful for Corona on record (it is an endless money printing machine for him, he gains donation through staged “Isolation Fund — Psyop”, generally with the product “hope”.
Controlled op asset & e-celeb “Bodo Schiffmann” conducting 101 Controlled Op integrity-sabotage-tactics, claiming “23 children died through masks”, classical fakenews framing, to serve “meat” for the paid-to-lie fact-checker hordes (no english subtitles available atm).
This is meant to be far bigger and profound than any incensed sidequest PR-PsyOp controlled op-skirmish could ever be.
And, of course, these are non-experts opinions, this is an artistic analysis of the status quo. Art was, is, and always will be able to negotiate on an equal footing with the hard sciences, that is an irrevocable fact of humanity. Those who claim otherwise are low-IQ chimpanzees and should be locked up in a zoo.
The task of art is not to lose itself in mass discussions of irrelevant details, the task of art is to act as a corrective within an information warfare when all other institutions of a sovereign world no longer function. It is the task of art to analyse evil, to pinpoint it and to make it accessible to ordinary mortals from a holistic perspective. And here we are talking about artistic intuition, which every human being evolutionarily possesses.
And if the artistic snapshot and analysis means the breakdown of hell on earth, then so be it.
Those actors know: we have already managed without CCP-lockdown-PsyOps for millennials. Moreover the Chinese Communist Party does not believe in their own propaganda, it simply wants the rest of the world to blindly follow their recommendations.
And the actors know that it’s not China alone who is pulling the strings here behind the scenes, it’s the gang of global financial elites, who use China as a prototype playfield and testing playground.
Much more, these artistic statements are spinal cord shattering for the transition-agenda, the most important balancing force of the western sovereign (art) had delivered here a merciless artistic analysis and reflection.
And they honestly disagree with the totalitarian clown world dystopia of those elites.
And yes, the reflection of art had been a long time coming, it is not easy to unravel this complex web of corruption, the corrupted structures of the international Financial & Medical Industrial Complex, the web of lies of the proposed stakeholder capitalism. Sometimes artists have to act as historians, sometimes as scientific analysts and that takes time: To unravel it artistically in an investigative manner to get a full spectrum-view, to then respond successfully with the corresponding statements of political art — massive thought-work goes into Gesamtkunstwerk art-processes.
Twitter thread “Relationshiops of the envisioned #Stakeholder #Capitalism” with my Backup Account there (@Bobby_Global). Thread with my main account @Bobby_Network can be found here: https://twitter.com/Bobby_Network/status/1385320629482762242
In the end art wants to be on the right side of history — no matter what happens in between — until the balance of forces are established again.
These artistic statements are now for eternity, and that is exactly how it was meant to be, and the artists had also conducted long analyses until they arrived at their artistic position.
The statements are meant to last forever, so it doesn’t matter how many of them withdraw their official publicly visible support due to cyberbullying and cancel culture, history will give all of them their rightful place in the profound search for the ultimate truth.
These statements now shine like a sword of Damocles over the agenda timetable and these PR think tanks of the elites-gang have not yet fully mastered all the tools of social engineering of the masses, this dark art form of mass-hypnosis is only conditionally suitable for quick deployment.
Damage control cannot happen fast enough now, before these statements really incite the masses to break free from the hypnotic grip of the Financial & Medical Industrial Complex and to use their instincts again, that gut feeling that for millions of years has always been able to unerringly predict when something in the narrative is not right.
And when agenda tools like Cornelius Roemer — he’s one of the secondary fear porn henchmen in the German-speaking realm (he acts in the style of a Dr. Eric Feigl aka #ZeroDing) calls for list-making of artists, as well as Twitter API scrapes of their social media profiles, these are just simple-minded fascistoid damage control travails that only expose the profound stupidity of this subhuman creature further and give the normie even more:
“Something is wrong here, the gut feeling tells me.”
Translation: “Who among the actors is on Twitter? And who do they all follow? And who are they followed by? If anyone wants to make a list, crowdsourced under here? @pkreissel can analyse something like that well.” / Tweet Archive: https://archive.ph/iAwpI / Twitter-user pkreissel is the chief editor of Microsoft-funded (and also Gates Foundation) fact checker & propaganda-tool Volksverpetzer, translation German to English: “People’s snitch”.
And those actresses & actors have investigated the failures here at every turn so far: they see the fusion of military-like health security institutions, they clearly see those patterns, they have read the Rockefeller document “Scenarios for the Future of Technology and International Development” — also known as “Scenario Operation — Lockstep”, they have finished “connecting the most weighted nodes” now.
They have investigated Big Tech, Megacorporations and the elites-gang that have placed biofascism at the top of their poisonous agenda.
They see the tyranny of the proposed “4th Industrial Revolution” micromanagement-dystopia, the corrupt fusion of science and politics, …
… and those artists do not consent with that. Period.
They know now that the initial flood of shock images from China early last year was a finely tuned social engineering operation by the CCP and their western elites-collaborateurs to trap the planet into a never-ending lockdown death-spiral. As experts of this profession they can immediately recognise and correctly classify such insinuations; they are usually the vehicles of any such spectacle.
And these actresses & actors now also know, after thorough self-research with full-throttled media competence, that there is something wrong with the mass testing-scenarios of a healthy population, that it reeks of deliberate mischief at all corners and ends.
They know now that hard sciences / life sciences have been hijacked by a group of corrupt pseudoscientists, shamans, pharma-bots and mindless NPCs, everything is infested with massive conflicts of interest and extraordinary bad-science.
They see the patterns of the international panic papers-Psyop and the total sell-out of the Merkel Regime to the CCP and the 4th Industrial Revolution-gang, consisting of kinky stakeholder capitalists and full-blown psychopaths.
They see through the sustainability grimace, they see the end goal of relentless biofascism by the means of Hegelian Dialectic.
They see through the total sell-out of Netanyahu, who sold the people of Israel to Big Pharma, the country serves as an human experimentation-sandbox prototype for the world now. They see the peak irony in that.
And the fear of an uncertain future for the current and follow-up generations, especially their own children and grand-children has ultimately led to this joined strong voice of artistic reasoning, the desire to openly discuss the intended fate of the world in artistic public discourse, and they have provided us with an opportunity to do so now.
Now it is up to all sectors of the arts to deal with this downward spiral, the death hypnosis, to position themselves critically towards it and to provide the normie with an analysis of the status quo artistically. We are in an information war, and this can only be won with the means of art. This is not about the right or left of the political spectrum, it is about the preservation of the plurality of life itself, about each and every one of us.
Art converses on an equal footing with the hard sciences; anyone who claims otherwise is a narcissistic low IQ tyrant and should be locked up in a zoo. PR is the antithesis of art. Period.
Thread-translation of Dietrich Brüggemann analysis (@dtrickb)
1/ Thread on #allesdichtmachen It has hit home. To all those who are now talking about “mockery”: I’m also swearing now. You are mocking the victims. You trample on those who are now suicidal. You spit on all those who have lost their existence.
2/ You make fun of the suffering of those in poorer classes and poorer countries who jump over the blade you hold out to them. You are cynical and inhuman. It’s fun to pick on people like that, isn’t it? Shall we stop it anyway? Yes? Good.
3/ Or no, we can continue for a while. You always feel “sick” and you also like to “throw up”. You know what? I am sick too. And it’s because of you. You are part of the worst that mankind has produced: You’re a lynch mob. It’s as simple as that.
4/ So, enough ranting. I could now utter the usual distancing phrases, but before I do I’ll fall asleep from boredom. Nazis are Nazis and self-evident things are self-evident. And what should also be self-evident:
5/ If criticism of Corona policy is “right-wing”, then my left hand is also right-wing. Yes of course I have respect for all doctors and nurses. I also have respect for all those in the country who are screwed up and don’t know what to do. And now someone please explain to me,
6/ Why one necessarily requires the other. And why our whole society has to be in a kind of state of war, in which the whole of civil society has to stand at attention and nothing else matters but the fight against the one, maximum enemy. And who asks whether
7/ this enemy is really so maximum and whether one could perhaps fight him with other, civilian means, he is a denier and an enemy of the people and must be hung on the lamppost. You don’t even realise what reflexes you are indulging in here, but that is part of the problem.
8/ There is plenty to criticise about a media elite that calls for ever tougher lockdown and clears every critic for firing with reference to full intensive care units. And this shitstorm comments on itself anyway.
9/ Have you ever cared about death and dying? Didn’t you care that people died around you every day for avoidable reasons? But all of a sudden this is the only issue for you?
10/ None of these videos are about the pandemic. But they do pull the wool over the eyes of the hollow pathos we have been facing for a year. They criticise the mercilessness with which everything that is now going down the drain is dismissed as secondary.
11/ They question the stories a society tells itself. And if this society (or the 1% who are on Twitter) then reacts so effervescently, then the whole thing was obviously necessary. End.
Read this article on Medium:
https://bobbynetwork.medium.com/an-artistic-reflection-the-social-media-coup-d%C3%A9tat-allesdichtmachen-closeeverything-and-the-d70ee36170de
Read this article as Twitter thread with “The way things go” - carrier movies throughout the thread:
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